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) But the film also seems eager to highlight a deeper, darker motif about the subjugation of women, and these attempts are often more grating than illuminating. (A crucial double-reveal toward the end was basically ripped from the Mission: Impossible playbook. When Black Widow moves like a spy thriller, it mostly strikes a satisfying blend of suspense and comedy, both exemplifying and satirizing the genre and its many gimmicks. (“I mean, they’re great poses, but it does look like you think everyone’s looking at you all the time.”) David Harbour, meanwhile, was the perfect choice to play their “father,” Alexei-a Soviet supersoldier whose time in prison has left him a bit rusty.
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Yelena goads her sister for being one of the Avengers but not “one of the big ones,” and loves to make fun of the hair-flipping fighting stances that have become the character’s signature. Scarlett Johansson and Pugh’s chemistry crackles in every scene they share. Whatever problems Black Widow has, however, the performances are almost uniformly spectacular. Hell, the entire film only makes sense if you remember what happened in two others that came out three years ago. Julia Louis-Dreyfus’ appearance in the post-credits scene as Contessa Valentina Allegra de Fontaine tethers the film to The Falcon and the Winter Soldier, where she also appears.
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Every mention of Clint Barton-and there are a few-is a reminder that the character’s TV series, Hawkeye, is coming soon on Disney+. This would all be less frustrating if Black Widow itself weren’t so phoned in, but even a stellar performance from Florence Pugh can’t save this empty plot vehicle masquerading as a quippy espionage thriller.īlack Widow might have largely stepped away from the Avengers world to send off our favorite red-headed assassin, but even so, it’s impossible to forget that this entry, like all the others, is just one piece of a larger puzzle. (In fairness, the original plan was to release Black Widow last spring-but even barring the COVID disruption, the film had always been planned to debut after Endgame.) Now, after 13 years of clamoring from fans and critics, she finally has her own film-after she’s already dead in the main continuity. Throughout her career in the MCU, Natasha Romanoff has largely existed to support the story arcs of men around her, whether by helping Captain America confront his past or lending Bruce Banner a shoulder to cry on through his Hulky identity crisis.
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Marvel released 20 films before they finally debuted their first about a woman, Captain Marvel, in 2019. Alexei (David Harbour) and Melina (Rachel Weisz) used their fake family as a cover while they worked to steal a chemical that somehow separates people from their free will. She returns to her safe house in Budapest after receiving a mysterious package from her “sister,” Yelena ( Florence Pugh), who grew up by her side in Ohio under the care of Russian operatives.
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Now-meaning, in this new film, which is in the past-we find Black Widow on the run from authorities after helping Captain America free Bucky Barnes. (The former debuted in 2016 the latter, in 2018.) Natasha died in 2019’s Endgame after sacrificing her life to secure the Soul Stone, which the Avengers needed to defeat Thanos. After all, she is technically dead.īlack Widow, which joined Phase Four of Marvel’s sprawling cinematic universe Friday, takes place after the events of Captain America: Civil Warand Avengers: Infinity War. But it’s hard to blame anyone who’s confused as to why Marvel is just now releasing its first standalone film dedicated to Natasha Romanoff. More recently, a director like Céline Sciamma constructed a bracing picture of an intimate female relationship with “Portrait of a Lady on Fire,” though looking back at her career, she’s long explored the nuances of female sexuality.įrom the 20th Century up until just this past year with Sweden’s Best International Feature Oscar submission “And Then We Danced,” below is a sampling of some of the best international LGBTQ cinema out there - including alternative entries from popular filmmakers you may have missed.T his post contains spoilers for Black Widow.įor the casual viewer, Black Widow will likely prove all kinds of confusing. It has been updated on March 15, 2022.Īmerican movies and TV are making major strides in LGBTQ representation, but storytellers abroad are in many ways ahead of the curve, exploring sexuality and relationships with groundbreaking technique, and in ways often coded and ahead of their time.įrom Rainer Werner Fassbinder to Pier Paolo Pasolini, the fluidity of human sexuality has long fascinated international filmmakers unafraid to bust taboos. Editor’s Note: This list was originally posted on February 27, 2021.